It’s the the end of the year as we know it (and I feel fine). Now I’m thinking more about the menu for the Christmas Evening than my works but I suppose it’s the time to make a summary of my victories and defeats during the year.
I had several solo shows from Berlin to Beijing, and group shows from Madrid to New York. The biggest exhibition I did, was with Jani at Amos Anderson Art Museum in Helsinki, which got enormous media coverage and I became some kind of art celebrity in Finland participating in television talk shows and quiz shows and giving interviews to all printed media from the newspaper of the Green Party to Elle magazine. Our exhibition Jani and Riiko's Free World was even featured on the TV news.
Another highlight was my two-month residency in Beijing and the shows I did there, including 798 Beijing Biennale. I also participated in my first museum show in Spain at Musac, León. My wall painting installation at Kiasma was my first time in the number one museum in Finland. And another new thing was Art Basel where my collaborative cable drawing installation with Jani was shown and sold.
During the year, I did several installations, one series of paintings with Jani, in Helsinki, and another series with Judas, in Beijing. I made drawings, objects, posters… I also painted a hotel room, which was renamed Riiko Sakkinen Suite, in Hotel Klaus K, Helsinki.
I sold large paintings to Finland’s best Museums – Kiasma and Helsinki City Art Museum. Finally, I was awarded with a one-year working grant from the Arts Council of Finland.
One more extra project was Trickle-down Theory, the show I curated at Korjaamo, Helsinki, with almost 100 artists and, on top of all that, in one of my visits to Finland, I found time to lecture in several universities. And during the year, I was traveling around Europe in the meetings of Pepinieres developing future residencies for young artists.
For my numerous projects, I traveled almost the seven seas and visited Basel, Beijing, Berlin, Biarritz, Bordeaux, Bucharest, Helsinki, Lisbon, León, Maldives, Nicosia, Paris, Skopje, Tampere and Turku.
After all, I could also tell a negative version of all this - about the canceled projects that occupied lots of time, about some gallerists that made my life difficult, and about the economical problems when I found impossible to convert the visibility of exhibitions and media into sales, but maybe I don’t tell this story, because I need to believe in the positive version of 2009 and face the beginning of 2010 being more ambitious and vigorous than ever before.